Відео

Outstanding Lesson you're always presenting. If I could get a 10th of this down i would be doing so much better.

Hi! First of all thanks for your lessons. Question: would omitting the 5th and adding the 6th not make the chord the 1st inversion of the relative minor tonic? I know it's kind of contextual, but at least in close position it gives the vibe of that minor tonic chord. In the other position it gives a vibe that is a bit different, given that it has a major 6th (root and the 6th), a major 3rd (over the octave from the root) and a perfect 5th (between the 6th and the 3rd over the octave). So, in the second case the interval of perfect 5th is not lost (not as the step of the chord, but at least it's kept as an interval), we have the 6th, so we get the vibe, thus preserving the vibe of the chord. But in close position it's just the minor tonic chord in the 1st inversion form. If we are in the band -- yes, someone would probably play the 5th, so in the context it would sound the way we want, but for solos, I think, the close position would not be the best choice. Best regards.

This video is so useful to me thanks!!

🎸 FREE Arpeggio Shapes for targeting chord tones when soloing → bit.ly/3cw1RbA

thank you for this video Jared, and also thanks so much for the downloadable files.

Great explanation and not intimidating at all!!! Thanks!

Great lesson. Let me ask though, you did all of those chords from the top of your head just knowing 1,4,5 progression?

Excellent. I'm 73 (retired from my day gig as a software engineer), been playing 50+ years off and on. About 20 years ago I started taking some lessons after a down time for my other career and the music store where I went had us start a little band. So it ended up going for several years; not too many gigs or money, but some for sure. After that I started playing in a restaurant with a couple others. Soon thereafter, it was mostly me and an upright bass player. I didn't make a lot of money (it was not a high class restaurant), but I loved it. Did that for over ten years until the bass player had a stroke. When I retired, I moved to my current domain. Many places prefer to hire one person because its cheaper and they reclaim more space. But I didn't want to use backing tracks - that just seems like practicing. So I've been on a quest to learn solo guitar, which I've really enjoyed. Got a cert in Jazz composing and arranging from Berklee Online, a 4.0 in music from the local community college, etc. Just need a little boost to get out there, but with my experience, I know you are right. I remember one place I played, and between sets a guy starting walking up. I thought, "oh crap, he's going to remind me that I didn't sharp the 4th in the third measure of that song". Instead he said, "Is that a banjo or a geetar".

I'm glad you have trouble pronouncing 6th like I do. 😎🤓

How man tell me how

This looks/sounds really great, but I've been struggling with a plateau for a long time--looking to regain my confidence--and have questions... Some of the chords are hidden by the UA-cam controls overlay. Are these arpeggios each in the key of the respective chord? Is there a long version of this video?

Bravo, Jared! I can’t wait to get started!

Best guitar teacher ever

This is my favorite jazz education channel, please keep on going !

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Thanks so much!

That's not a G7b9. that's a G7b13

Thanks, Jared. Appreciate your dedication to teaching! The lesson is great!

Aw yeah!!

I'm really not trying to bust balls, video says easy way to learn. You literally switched from numbers to letters and still named them, but... noW* you have no clue which comes next because the letters aren't even in any order, you could have just taught whatever in firm 1,2,3 et. So we knew which form was next in line to go up the neck

Great Vid! Thanks man

I like this.

Not just great lessons, but FREE reference material... Thank you Jared, much appreciated.

Thank you, beutifully done!!!

Appreciate your instructional videos and added information that’s given gained by your education and experience, lots of practice, Great Material!

Hearing these walking baselines reminds me of Bach.

Wow, excellent tutorial! Thank You !

Man this is brilliant!!

Thank you!

indeed, these gourds are cool

Great video! Thx!

This is so structured and applicable! Thank you so much!!!!!!!!

Thanks Jered! Gotta level up.

Fantastic lesson....thank you

I'm loving the direction these videos are going in - the more Jazz Soloing, the better! I wonder if you would consider doing a similar vide/guide on 'Jazz Lines over every chord / Progression'. I'd love to see a video where you give maybe 2 or 3 examples of a standard/typical Jazz line that you could play over each chord type - like ... "Lines over the I Maj7 or the IV Major 7 or the Dom II chord' ? and then linking them together to form common progressions - Maj and Minor ii-V-I and Rhythm Changes ?

I’m enjoying your content and getting a lot out of it. The approach of memorizing the arpeggios in positions is gold!

Hey Jared! love your videos. You have one of the most informative channels on UA-cam.

Jazz nylon string guitarist Earl Klugh doesn’t use nails. That raspy whispery sound has become a trademark sound of his playing.

A tele??? Jazz snobs heads are exploding as i type.

that scale whole tone up was useful.

I think Segovia got full of himself at some point in his career. He also made a harsh criticism directed towards Barrios and his music.

What app are you using for the chord chart?

Cool video, but the voiceover has an error, the Gallup pattern as played is an *eighth* followed by two sixteenths not a quarter notes.

Really make sense about Dorian harmony Thank you so much. Your demonstrations have very beautiful picking dynamics. Please teach use about picking dynamics when improvisation and amp setting. Best wishes

a comment: usually in discussions of what to play over dominant 7th chords, there is a distinction made between chords that resolve up a 4th (use mixolydian) and those that don't resolve up a 4th (use lydian dominant). So, for example, E7 to A use E mixolydian, while Bb7 to A use Bb lydian dominant. another comment: great work on this, thanks!

Very helpful, thanks

Great lesson, I have been watching your class sessions and your Excellent teaching enriches my music Vocabulary. Now, I have a lot of confidence moving up and down the Guitar neck and more confidence. Again thank you. I am going to keep learning.

I love these 'ultimate guide' videos - I regularly refer to your Shell Chord video. I wonder if you would consider doing a similar guide on 'Jazz/Blues Lines over every chord / Progression'. I'd love to see a video where you give maybe 2 or 3 examples of a standard/typical Jazz line that you could play over each chord type - Dom, Minor7, Major7, m7b5 etc. Or Maybe the Roman Numeral might be better "Line over the I Maj7 or the IV Major 7 or the Dom II chord' ? And then section 2 of the video could be 'standard' Jazz lines that work over the most common chord progressions: Major ii-V-I, Minor ii-V-I, Rhythm Changes etc. Might be asking a bit much, but I think a lot of people (me included) would find it useful to have a set of lines to start to use over every chord/progression in a Standard, which can then be adapted / manipulated. At the very least it would get me on the right road.

Hi Jared. I’m going for the inside/outside today. I’m 72 years old so it really is never too old to learn. I never thought of just playing the necessary strings rather than the whole chord. What a good day. Thank you so much.

For the love of God is Sweet Home Alabama in the key of G or D? The world wants to know.